备注:已完结
类型:恐怖片
导演:雷内·克莱尔
语言:英语
年代:未知
简介: In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results.
备注:已完结
类型:爱情片
主演:斯宾塞·屈塞 弗雷德里克·马奇 吉恩·凯利 迪克·约克
导演:斯坦利·克雷默
语言:英语
年代:未知
简介:根据1925年真实案件“猴子审判”(也称“斯科普斯案”)改编。一名美国高中生物老师因在课堂教授进化论,被州政府起诉。案件轰动整个美国,教会势力前来小镇声援,教授、科学家等另一阵线也来支持,加上媒体的持续报道,令小镇顿时热闹起来。 政治家马修·哈里森·布拉迪(弗雷德里克·马奇饰演)代表控方出庭,辩方律师则由著名律师亨利·德鲁蒙德(斯宾塞·屈塞饰演)代表。审讯期间,两人针锋相对,渐渐成为一场关于进化论与创世纪、科学与宗教的世纪大辩论。 片名取自圣经箴言书 11:29 “扰害己家的,必承受清风”。
备注:已完结
类型:剧情片
导演:塞西尔·B·戴米尔
语言:英语
年代:未知
简介:把罗马焚城后,惨无人道的暴君尼禄(查尔斯·劳顿 Charles Laughton 饰)将矛头指向基督徒,开始大规模肆意捕杀基督徒。不仅如此,尼禄更颁布了法令把抓获的基督徒送往竞技场。罗马最高军事军官马库斯(弗雷德里克·马奇 Fredric March 饰)奉命残杀这些捕获的基督徒。被抓的基督徒中有两名老者准备逃跑,马库斯本欲逮捕他们,然而当马库斯看到他们的继女麦西卡(爱丽莎·兰迪 Elissa Landi 饰)时,情不自禁地一见倾心。楚楚动人的麦西卡,马库斯很快与她坠入爱河不能自拔,随之下令释放了所有基督徒。马库斯的这一举动,不仅激怒了暴君尼禄,更让一直暗恋他的皇后帕亚(克劳黛·考尔白 Claudette Colbert 饰)醋意大发,心生嫉妒。
备注:已完结
类型:爱情片
主演:西尔维娅·西德尼 AdrianneAllen 弗雷德里克·马奇
导演:多萝西·阿兹娜
语言:英语
年代:未知
简介: 一位醉酒的记者被一位女继承人从酒精的阴霾中解救出来,这位女继承人的爱使他清醒并鼓励他写剧本,但他又陷入了嗜酒症。
备注:已完结
类型:爱情片
主演:费雷迪·巴塞洛缪 葛丽泰·嘉宝 弗雷德里克·马奇 莫琳·奥沙利文
导演:克拉伦斯·布朗
语言:英语
年代:未知
简介:故事发生在十九世纪的圣彼得,安娜(葛丽泰·嘉宝 Greta Garbo 饰)嫁给了拥有显赫身世的丈夫卡列宁(巴兹尔·雷斯伯恩 Basil Rathbone 饰),尽管过着锦衣玉食的生活,但安娜和丈夫之间并没有爱情,一颗渴望滋润的心灵在日复一日的困顿生活中逐渐走向枯萎。 之后,安娜遇见了名为沃伦斯基(弗雷德里克·马奇 Fredric March 饰)的英俊军官,沃伦斯基的存在点燃了安娜心中的火焰,她熊熊的燃烧着,奋不顾身地投身于这段为世间伦理所不容的恋情之中。卡列宁强烈的谴责了安娜的不忠,勇敢追寻内心情感的安娜离开了丈夫,投向了沃伦斯基的怀抱,让安娜没有想到的是,她和沃伦斯基的幸福生活只维持了极为短暂的一段时间,当沃伦斯基将他的虚伪和自私暴露无遗之时,绝望的安娜亦来到了生命的尽头。©豆瓣
备注:已完结
类型:剧情片
主演:卡洛·朗白 弗雷德里克·马奇 Charles Winninger
导演:威廉·A·韦尔曼
语言:英语
年代:未知
简介: 记者威利(弗雷德里克·马奇 Fredric March 饰)正在经历他职场生涯中最大的危机,如果不能出现一个契机令他力挽狂澜,那么他就将一蹶不振。就在这个节骨眼上,一个名叫哈泽尔(卡洛·朗白 Carole Lombard 饰)的女孩出现在了威利的视野里,这个女孩受到了严重的核辐射,时日无多。威利决定利用她剩下的最后的日子带她进城见见世面,顺便再以此为题材写几篇催人泪下的新闻出来。 哪知道哈泽尔实际上并没有受到核辐射,身体强壮的很呢。但是这个姑娘决定暂时隐瞒这一事实,先去纽约好好的玩一通再说。就这样,威利和哈泽尔踏上了他们充满了谎言和利益的旅途。
备注:已完结
类型:剧情片
主演:卡洛·朗白 弗雷德里克·马奇 Charles Winninger
导演:威廉·A·韦尔曼
语言:英语
年代:未知
简介: 记者威利(弗雷德里克·马奇 Fredric March 饰)正在经历他职场生涯中最大的危机,如果不能出现一个契机令他力挽狂澜,那么他就将一蹶不振。就在这个节骨眼上,一个名叫哈泽尔(卡洛·朗白 Carole Lombard 饰)的女孩出现在了威利的视野里,这个女孩受到了严重的核辐射,时日无多。威利决定利用她剩下的最后的日子带她进城见见世面,顺便再以此为题材写几篇催人泪下的新闻出来。 哪知道哈泽尔实际上并没有受到核辐射,身体强壮的很呢。但是这个姑娘决定暂时隐瞒这一事实,先去纽约好好的玩一通再说。就这样,威利和哈泽尔踏上了他们充满了谎言和利益的旅途。
备注:已完结
类型:爱情片
主演:弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉
导演:米切尔·莱森
语言:英语
年代:未知
简介: Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
备注:已完结
类型:爱情片
主演:弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉
导演:米切尔·莱森
语言:英语
年代:未知
简介: Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)